TUNE TO:
Stories in time and space . . . told in future tense
20 November 2023
Season 11, Episode 11
Re-Imagined Radio celebrates Dimension X, a pioneering radio science fiction series that aired over NBC from April 1950 through September 1951. Neither the earliest nor the most famous of the many science fiction series heard on radio from the 1930s to the 1950s, the legacy of Dimension X looms large. Re-Imagined Radio explores that legacy. First by reviewing radio science fiction programs leading up to Dimension X, and second by listening to "The Outer Limit," the first episode of Dimension X, and perhaps the most often broadcast radio science fiction story.
Despite its short life span, broadcast less than a year, only fifty episodes, Dimension X pioneered science fiction radio storytelling, according to James Widner and Meade Frierson, "using imagination to experience whatever is being talked about, read or acted out" (8). In doing this work, Dimension X provided the essential radio storytelling DNA for X Minus One, perhaps the most acclaimed science fiction anthology radio series ever broadcast.
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READ the "Dimension X" script.
Written, Produced, and Hosted by John F. Barber
Sound Design, Music, and Post Production by Marc Rose
Promotional Graphics by Holly Slocum
National Broadcasting Corporation (NBC)
April 8, 1950 - September 29, 1951
An anthology program targeted for adult listeners. Each episode offered, "Stories in time and space . . . transcribed in future tense."
30 minute episodes
50 episodes produced, 50 survive
Of the 50 episodes total, 46 are unique, written by or adapted from works by science fiction writers of the day, many of whom are now household names.
4 episodes were repeated: "The Outer Limit" (8 April 1950 and 8 September 1950), "No Contact" (29 April 1950 and 28 October 1950), "The Green Hills of Earth" (10 June 1950 and 24 December 1950), and "Mars Is Heaven" (7 July 1950 and 7 January 1951).
Cast (continuing)
Joe Di Santis, Wendell Holmes, Santos Ortega, Joseph Julian, Jan Miner, Roger De Koven, John Gibson, Ralph Bell, John Larkin, Les Damon, and Mason Adams.
Credits
Directed by Fred Weihe and Edward King
Narrated by Norman Rose
Episodes adapted/written by Ernest Kinoy and George Lefferts
Dimension X narrowly missed being the first adult science fiction radio series. In a letter to James Widner and Meade Frierson III, producer Van Woodward recalls the idea for an adult anthology series as first promoted by either writer Ernest Kinoy or George Lefferts. "We prepared an audition for the network brass using 'Mars Is Heaven' [from The Martian Chronicles by Ray Bradbury]" (Widner and Frierson 20).
"Almost simultaneously, the NBC staff in Hollywood was cooking up a science fiction series of its own . . . and a good one," said Woodward (Widner and Frierson 20).
Woodward said, "In the end, NBC decided to produce the show in New York, probably because we had a much larger staff available to handle it there. And then we sat down to wait for a time slot to open up for Dimension X. Before it did, 2,000 Plus had beaten us on the air" (Widner and Frierson 20).
A New York Times article suggests the planned science fiction was to be called Out of This World. When NBC was unable to clear rights to use "Mars Is Heaven" the planned science fiction series was renamed Dimension X. The article described Dimension X like this, "The program which begins Saturday, April 8 at 8 p.m. will have a 15-minute prologue at 7:45 entitled 'Preview to the Future'" (Widner and Frierson 20).
And so, 2,000 Plus became the first adult oriented science fiction radio anthology series.
Adapting original works
With an adult audience in mind, each episode of Dimension X was adapted from original works by top science fiction writers of the day. Many of their visions—space travel, fantastic technology, for example—have proved quite accurate. Writers Kinoy and Lefferts faithfully adapted published works by these young science fiction writers . . .
Isaac Asimov, "Nightfall" and "A Pebble in the Sky"
Robert Bloch, "Almost Human"
Ray Bradbury, "Dwellers in Silence," "The Veldt," "Kaleidoscope," "Marionettes, Inc.," "Mars is Heaven," "And the Moon Be Still as Bright," and "There Will Come Soft Rains / Zero Hour"
Frederic Brown, "Knock"
Graham Doar, "The Outer Limit"
Robert A. Heinlein, "Universe," "The Green Hills of Earth," "Requiem," "Destination Moon," and "The Roads Must Roll"
L. Ron Hubbard, "The Professor Was a Thief"
Murray Leinster, "The Lost Race," "A Logic Named Joe," and "First Contact"
H. Beam Piper, "Time and Time Again"
Clifford Simak, "Courtesy"
Jack Vance, "The Potters of Firsk"
Kurt Vonnegut, "Report on the Barnhouse Effect"
Jack Williamson, "With Folded Hands"
Donald Wollheim, "The Embassy"
Kinnoy and Lefferts also contributed original scripts of their own.
Woodson, in his letter to Widner and Frierson (see above) said, "We went the 'adaptation route' simply because that's where the best stories are. Bright ideas for science fiction don't come on order; they're usually the product of a moment's inspiration, by a writer who is steeped in the field" (Widner and Frierson 28).
The Outer Limit
One episode of Dimension X, "The Outer Limit," is perhaps the most frequently broadcast science fiction radio story. The original story by Graham Doar was first published in The Saturday Evening Post. The story concerns a pilot testing a new, experimental aircraft who disappears with only ten minutes of fuel left. Given up for dead, he returns ten hours later with a message given him, he says, by aliens: stop developing and using atomic weapons.
Coming just two years after the first modern report of a UFO sighting by Kenneth Arnold, June 24, 1947, Doar’s story effectively combines the elements of post war angst, Cold War fears, interest bordering on hysteria for flying saucers, and popular imagination to create a template for alien "close encounter" stories that followed. Re-Imagined Radio offered tribute to The Day the Earth Stood Still. LEARN more and LISTEN here.
"The Outer Limit" was used several times for radio. Here is a chronology.
February 7, 1950
Escape, Episode 97, February 7, 1950
Original story by Graham Doar
Adapted by Morton Fine and David Friedkin
Cast: Frank Lovejoy as Major Westfall. With Charles McGraw, Jeff Corey, Stan Waxman, and Ian Wolfe.
William N. Robson produced and directed the story
February 23, 1950
Beyond This World, Audition, February 23, 1950 (Widner and Frierson 22; Haendiges)
Original story by Graham Doar
Cast: Frank Lovejoy, Charles McGraw, Jeff Corey
Here, the series is called Beyond This World. Hosted by "Askator."
April 8, 1950
Dimension X, Pilot episode, Episode 01, April 8, 1950 (Widner and Frierson 31)
Original story by Graham Doar
Adapted by Ernest Kinoy
Cast: "Joseph Julian as Steve, Wendell Holmes as Hank, and Joe De Santis as Major Donaldson. Your host is Norman Roses. Music was by Albert Berman. Sound designed by Simon Roe. Edward King directed."
April 13 or 18, 1950
Beyond This World series retitled Beyond Tomorrow, Episode 04, April 13 (Widner and Frierson 23) or 18 (Haendiges), 1950
Original story by Graham Doar
Same as audition, but with different introduction. Here, the series is called Beyond Tomorrow.
September 8, 1950
Dimension X, Episode 23, September 8, 1950 (Widner and Frierson 38)
Original story by Graham Doar
Adapted by Ernest Kinoy
Repeat of Episode 01
February 15, 1954
Suspense, Episode 539, February 15, 1954
Based on the earlier script used for Escape
Cast: William Holden
Credits: Elliott Lewis, producer/director
November 16, 1955
X Minus One, Episode 25, November 16, 1955 (Widner and Frierson 65)
The Dimension X adaptation by Ernest Kinoy
Cast: Joe Julian, Wendell Holmes, Joe De Santis, Bob Hastings, James Dukas, Freddie Chandler
March 17, 1957
Suspense, Episode 690, March 17, 1957
Cast: Frank Lovejoy
Credits: William N. Robson, producer/director
Legacy
In addition to wide re-broadcast of "The Outer Limit" episode, Dimension X provided the essential radio storytelling DNA for X Minus One, perhaps the most acclaimed science fiction radio series ever broadcast. Fourteen episodes from Dimension X were reused as the first episodes of X Minus One (DeForest 198).
Re-Imagined Radio has previously offered tribute to X Minus One. LEARN more and LISTEN here.
Resources
Dimension X episodes at Internet Archive.
Doar, Graham. "The Outer Limit." Saturday Evening Post, 24 Dec. 1949, pp. 22, 23, 72.
Science Fiction in Radio. Old Time Radio Catalog website.
Dimension X radio logs at Jerry Haendiges Vintage Radio Logs website
Dimension X log by James Widner
The Definitive Dimension X at Digital Deli Too
Dimension X plot summaries and credits at Radio Gold Index website
Episodes of Dimension X at Internet Archive website
Peebles, Curtis. Abducted in Space: The Saturday Evening Post, Playboy and the Vanishing X-15 Pilot’s Return. Magonia 91, February 2006.
Interesting tie in with "The Outer Limit" (and good information)
Collins, Curt and Claude Falkstrom. Flying Saucers, the Atomic Bomb and Doomsday: The Outer Limit (Part 1 of 5). The Saucers That Time Forgot. September 8, 2017.
Collins, Curt and Claude Falkstrom. The Outer Limit by Graham Doar: The UFO Parable (Part 2 of 5). The Saucers That Time Forgot. September 12, 2017.
Escape—The Outer Limit. Escape & Suspense. December 28, 2008.
Works Cited
DeForest, Tom. Storytelling in the Pulps, Comics, and Radio: How Technology Changed Popular Fiction in America. McFarland, 2004.
Widner, James F. and Meade Frierson, III. Science Fiction on Radio: A Revised Look at 1950–1975. AFAB, 1996.
Science Fiction on the Radio > Literary Origins
Before the so-called "Golden Age of Radio," the 1930s to the 1950s, a genre of novels were popular with both adult and younger readers interested to imagine future worlds and ways to be in them. Examples include Jonathan Swift's Gulliver's Travels (1726). Mary Shelley's Frankenstein (1818). Jules Verne's Voyage to the Center of the Earth (1864). Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886). H. G. Wells's The Time Machine (1895) and The War of the Worlds (1897). Edgar Rice Burroughs's Under the Moons of Mars (1917). These novels and others influenced science fiction for decades.
During the 1920s, what we now call the science fiction genre evolved in popular culture media forms like comic strips, comic books, pulp fiction, and magazines such as Amazing Stories (1926-1958), Air Wonder Stories (1929-1930), and Galaxy (1950-1980). According to James Widner and Meade Frierson, the science fiction genre "was a product of creative speculations concerning the possible in science/technology but also it was a response to the need for escape from the harsh realities [of The Depression]" (9). Elaborating, Widner and Frierson say modern science fiction began as pulp fiction in 1927. Following the end of World War II, fear of atomic war and destruction enhanced the genre and incresed its attraction to radio and motion picture producers (9).
Since then, the overlay of the horror genre (the mad scientist and his creations, for example), have blurred the boundaries, and publication source and marketing campaigns have become primary in determing what is science fiction, say Widner and Frierson (9). They suggest these broad categories for science fiction stories, arranged alphabetically: Aliens, Atomic Destruction, Computers, Future, Lost World, Monsters, Other Dimensions, Space, and Time Travel.
Science Fiction on the Radio > Appealing to Imagination
Both science fiction literature and radio storytelling thrive on engagement and imagination. Both provide only partial information (DeForest 202). Words on pages and dialogue, sound effects, and music heard in radio programs interact with the imagination to create images in readers' and listeners' minds (McHugh 21). These images can "evoke places (where things happen) and actions (what happens there) (Nuzum 114). "Radio actively engages our minds," says Tom DeForest. "We are personally involved because we're doing as much work in creating the story as the actors and the sound men" (202). For example, the radio adaptation by Orson Welles and The Mercury Theatre on the Air, of the H.G. Wells novel, The War of the Worlds, Halloween eve, October 30, 1938, convinced listeners that Earth was being invaded by beings from Mars. Widner and Frierson call "The War of the Worlds" "the best known and most sensational show in the science fiction genre" (11). Re-Imagined Radio has offered several iterations of this story, a tribute, and a look behind the use of realistic breaking news reports to carry the narrative forward. LEARN more and LISTEN here.
An aside here: The War of the Worlds is frequently cited as the best know radio show ever. Widener and Frierson nominate Og, Son of Fire, November 23, 1934 to June 28, 1935, and September 30, 1935 to December 27, 1935, as the least known.
Science Fiction on the Radio > First Story
David Kyle says the most effective medium for "communicating the essence of science fiction" is radio. Here, more successfully than other mediums, other than film, "the listener could collaborate with the writer and build 'in the theater of the mind' the marvelous stories of any time and any space. The two ingredients which made genuine science fiction—the sense of wonder which is the true artistic expression of [science fiction] and the fresh intellectual ideas relating to scientific theorizing—were being achieved" (125).
What was the first science fiction story heard on radio? A thirteen-part radio serial, based on Mary Shelley's novel Frankenstein was broadcast on CBS in 1932. Later that same year Buck Rogers in the 25th Century began a radio career that ran to 1947. Widner and Frierson argue that neither are contenders as the first science fiction story on radio. Frankenstein is horror, they say, and Buck Rogers is better grouped with superheros, comic book fare, and juvenile science fiction (11).
The first science fiction story on radio, they say, "MIGHT (their emphasis) [be] in the plays of an anthology series called The Witch's Tale." Written and directed by Alonzo Deen Cole (1897-1971), and broadcast on WOR Radio 1931-1934, this series set the standard for host-based anthology series. It is most often categorized as horror. But one episode, "The Entomologist," a two-part story, concerns a mad scientist who plans to rule the world with his giant vampire spider(s).
Warning: This radio program was produced in 1932. Cultural considerations were different then. Some listeners may be offended by terms used to describe certain peoples in this recording.
Documented broadcast dates differ. Widner and Frierson say May 2 and 4, 1934 (11). Jerry Haendiges and Audio Classics Archive give the broadcast date as January 7, 1935, episode 178, and say it was a repeat of "The Spider," episode 56, broadcast July 11, 1932. Radio Gold Index, "The Witch's Tale," notes "The Entomologist" as being broadcast as Program #11 in Australian syndication July 11, 1932. "The script was first heard on WOR on July 11, 1932 (titled "The Spider") and on January 7, 1935." The "Witch's Tale Errors," webpage, part of OTR errors, notes the difficulty of establishing exact dates for each episode because of confusion between transcriptions and Australian productions. Known existing episodes are listed. According to information provided, "The Entomologist" was available in 1934, as part of the All-Star Broadcasts, New York, electrical transcription series. An explanation reads, "All dates from 1931 or 1932 or 1933 are wrong. The earliest correctly dated shows are from 1934. Almost all the month/day dates circulating are wrong because those dates are for WOR broadcasts and the circulating shows are different transcriptions (different than the WOR) or Australian."
So, while the first broadcast dates may be uncertain, and unless an earlier episode/story can be identified (of potentially 332 episodes produced, approximately 30 survive), "The Entomologist" may be the first known/surviving science fiction story heard on radio. Certainly, say Widner and Frierson, it is the earliest science fiction radio story one can acquire for a private collection (11).
Works Cited
Audio Classics Archive.
DeForest, Tom. Storytelling in the Pulps, Comics, and Radio: How Technology Changed Popular Fiction in America. McFarland, 2004.
Jerry Haendiges Vintage Radio Logs.
McHugh, Siobhán. The Power of Podcasting: Telling Stories through Sound. UNSW Press, 2022.
Radio Gold Index: Witch's Tale.
Nuzum, Eric. Make Noise: A Creator's Guide to Podcasting and Great Audio Storytelling. Workman Publishing, 2019.
Widner, James F. and Meade Frierson, III. Science Fiction on Radio: A Revised Look at 1950–1975. AFAB, 1996.
Witch's Tales Errors. OTR errors website.
Science Fiction on the Radio > A Chronology
Radio networks and individual stations, eager to attract listeners, offered science fiction-themed radio programs from the 1920s through the 1950s, the breakout decade for such programs. X Minus One was the best of the 1950s radio science fiction programs. But Dimension X provided the essential radio storytelling DNA. Following are brief reviews of several science fiction-themed radio programs to provide context for Dimension X.
1932 - 1947
Buck Rogers in the 25th Century
National Broadcasting Company and Mutual Radio Network
Intermittently, 1932-1947
Continuing. Targeted to younger listeners.
15 and 30 minute episodes
Potentially 860 episodes were produced, possibly 33 survive as described below
Origins
The character Anthony Rogers first appeared in the August 28, 1928 issue of Amazing Stories magazine, in the novella Armageddon 2419 A.D. by Philip Francis Nowlan (1888-1940) (Nowlan 1928). Rogers appeared again in a sequel, The Airlords of Han, in the March 1929 issue of Amazing Stories (Nowlan 1929). At the request of John F. Dille, who led the National Newspaper syndicate, Nowlan, with illustrator Dick Calkins, adapted the story as a science fiction comic strip, and changed the lead character's name to "Buck." Buck Rogers in the 25th Century first appeared in comic strip form in forty seven syndicated daily newspapers 7 January 1929.
Comics
As portrayed in comics, Buck (neé Anthony) Rogers, is a mining engineer. While working in a mine near Pittsburg, in 1919, he is exposed to a gas that leaves him in suspended animation until the 25th century. When he awakes, the world has progressed technologically—space travel is commonplace—but crime was still a problem. Buck Rogers, a young adventurer, Wilma Deering, a young woman determined to be part of the solution Dr. Elias Huer, inventor of the Mechanical Mole, the Gyrocosmic Relativator, Thermal Radiation Projectors, Flexo-Impervium metal, Electro-Hypno Mentalo Phones, Sub-Cosmic Radio Units, Non-Recoil Energy Projectors, and Moleculear Expansion Beam Projectors (DeForest 182), with Black Barney, a former space pirate from Mars, battled criminals of the future like Killer Kane, and his crime paramour, Ardala Valmar (Science Fiction in Radio).
The comic strip, set in Niagara, capital of 25th century United States society, was very popular and soon appeared in Sunday newspapers, both national and international. It was adapted as books, serial films, a television series, and a radio program.
Radio Series
On radio, Buck Rogers in the 25th Century was presented as four separate series, detailed below. Each series brought the idea of space exploration into popular media, following Jules Verne, H.G. Wells, and Edgar Rice Burroughs. The radio storytelling was compelling, with Buck Rogers, Wilma Deering, Dr. Huer, and Black Barney fighting criminals and evil warlords of the future.
Sound Effects were by Ora Nichols, the first woman to lead a radio sound effects department. She pioneered several new methods for creating sound effects, and worked with Orson Welles.
Buck Rogers in the 25th Century > First Series
Columbia Broadcasting System (CBS)
November 22, 1932 - May 22, 1936
Continuing. Targeted to younger listeners.
15-minute episodes, Monday through Thursday evenings, at 7:15. By 1936, Buck Rogers was heard Monday, Wednesday, and Friday.
Early episodes were directed by Carlo De Angelo. Later Jack Johnstone took the helm.
Potentially, 720 episodes were produced for this run, 2 are said to survive (The Classic Archives)
Episode #01, November 7, 1932
Episode #02, November 14, 1932
Cast (continuing)
Curtis Arnall as Buck Rogers
Adele Ronson as Wilma Deering
Edgar Stehli as Dr. Elias Huer
William "Bill" Shelley (1st run) as Killer Kane (and Arthur Vinton ?)
Elaine Melchior as Ardala Valmar
Jack Roseleigh, Joe Granby as Black Barney
Ronald Liss as Buddy
??? as Willie
??? as Rankin
??? as Stratton
Paul Douglas, and Fred Uttal as Announcers
Buck Rogers in the 25th Century > Second Series
Mutual Broadcasting System
April 5, 1939 - July 31, 1939
Continuing. Targeted to younger listeners.
15-minute episodes Mondays, Wednesdays, and Fridays
Sponsored by Popsicle
Potentially 51 episodes were produced for this run, 25 may survive.
Inventory of surviving episodes.
Episode #01, Wednesday, April 5, 1939
"Gyro Cosmic Relativator"
How Buck Rogers got to the 25th century. Kane and Ardala send Black Barney out from their secret headquarters to obtain supplies. Buck and Wilma follow Kane’s old rocket trail to the ruins of old Philadelphia but the trail suddenly stops.
Credits
Director(s): Carlo De Angelo & Jack Johnstone
Producer: Carlo De Angelo
Sound Effects: Ora Daigle Nichols (first woman to lead a radio sound effects department, created several sound producing methods, worked with Orson Welles)
Writer(s): Dick Calkins, Joe Cross, Jack Johnstone, Albert Miller, and Dee Falkinburg
Cast (continuing)
Matt Crowley as Buck Rogers
Virginia Vass as Wilma Deering
Edgar Stehli as Dr. Elias Huer
Dan Ocko as Killer Kane (and Arthur Vinton ?)
Elaine Melchior as Ardala Valmar
Jack Roseleigh, Joe Granby as Black Barney
Ronald Liss as Buddy
??? as Willie
??? as Rankin
??? as Stratton
Paul Douglas, and Fred Uttal as Announcers
Resources
Buck Rogers in the 25th Century. Jerry Haendiges Vintage Radio Logs.
Buck Rogers at Internet Archive website.
Old Time Radio Downloads. Buck Rogers.
Buck Rogers in the 25th Century > Third Series
*** Broadcasting System
May 18, 1940 - July 27, 1940
Continuing. Targeted to younger listeners.
30-minutes episodes, broadcast only on Saturdays
Potentially 51 episodes were produced, 4 survive?
Episode #732, May ***, 1940, Back from Jupiter, on Earth, Dr. Huer solves the problem with the Thermic Radiation Projector for his Mechanical Mole.
Buck tries to save the underground city of Ore. Complete episode available.
Episode #733, June ***, 1940, The Thermic Radiation Projector enables Buck, Wilma, and Dr. Huer to take a mechanical mole to the center of the Earth where an explosion almost wrecks it. Partial episode.
Episode #736, June ***, 1940, Buck, Wilma, and Dr. Huer prepare to return to the surface after spending time in the underground city of "Ore." A flood and poison gas threatens the city. Wilma succumbs to the gas. A partial episode.
Episode #737, June ***, 1940, Using The Thermic Radiation Projector, Buck, Wilma, and Dr. Huer return to the Earth's surface after exploring the underground city of "Ore." They are stopped by a mysterious black substance. The Groundhog, Black Barney's underground digging maching, Black Barney, and Buddy are also trapped underground by a black substance. A partial episode.
Credits
Director: Jack Johnstone
Producer: Carlo De Angelo
Cast (continuing)
Carl Frank as Buck Rogers
??? as Wilma Deering
Edgar Stehli as Dr. Elias Huer
??? as Killer Kane (and Arthur Vinton ?)
Elaine Melchior as Ardala Valmar
Jack Roseleigh, Joe Granby as Black Barney
Ronald Liss as Buddy
??? as Willie
??? as Rankin
??? as Stratton
Paul Douglas, and Fred Uttal as Announcers
Resources
Old Time Radio Downloads. Buck Rogers.
Buck Rogers in the 25th Century > Fourth Series
Mutual Broadcasting System
September 30, 1946 - March 28, 1947
Continuing. Targeted to younger listeners.
15-minute episodes, possibly broadcast Mondays, Wednesdays, and Fridays
Potentially, 78 episodes were produced, 1 survives
Episode #***, March 28, 1947, "The Last Show." The entire episode is devoted to the final fight between Buck and Killer Kane.
Cast
John Larken as Buck Rogers
??? as Wilma Deering
Edgar Stehli as Dr. Elias Huer
??? as Killer Kane (and Arthur Vinton ?)
Elaine Melchior as Ardala Valmar
Jack Roseleigh, Joe Granby as Black Barney
Ronald Liss as Buddy
??? as Willie
??? as Rankin
??? as Stratton
Paul Douglas, and Fred Uttal as Announcers
Resources
Old Time Radio Downloads. Buck Rogers.
Works Cited
DeForest, Tim. Radio by the Book: Adaptations of Literature and Fiction on the Airwaves. McFarland, 2008.
Kenney, Patrick. Buck Rogers Radio Program, 1932–1947. Buck Rogers in the 25th Century Guide. April 4, 2014.
Nowlan, Philip Francis. "The Airlords of Han." Amazing Stories, vol. 3, no. 12, Mar. 1929, pp. 1106-1136.
Interactive facsimile of original publication here
Nowlan, Philip Francis. "Armageddon 2419 A.D." Amazing Stories, vol. 3, no. 5, Aug. 1928, pp. 422-449.
Interactive facsimile of original publication here
Science Fiction in Radio. Old Time Radio Catalog.
1935
The Amazing Interplanetary Adventures of Flash Gordon
Mutual Broadcasting System
April 27-October 26, 1935
Continuing. Targeted to younger listeners.
15 minute episodes, Saturdays
26 episodes produced, 26 survive
Inventory of Flash Gordon episodes
The Amazing Interplanetary Adventures of Flash Gordon was a weekly space adventure radio drama following the adventures of Flash Gordon, a handsome polo player and Yale University graduate, and his companions Dale Arden and Dr. Hans Zarkov on the planet Mongo. The radio series was created specifically to compete with Buck Rogers in the 25th Century. Like Buck Rogers, the radio series The Amazing Interplanetary Adventures of Flash Gordon followed a comic strip. Created in 1934 by Alexander (Alex) Gillespie Raymond (1909-1956), the comic strip was first published January 7, 1934 in The Comic Weekly, a thirty-two page, four color, tabloid-sized supplement to Hearst Sunday papers. Starting 27 April 1935, the Flash Gordon comic strip was adapted into a twenty six week radio series, beginning with the weekly strips published more than a year earlier. Each radio episode followed, almost verbatim, The Amazing Interplanetary Adventures of Flash Gordon comic strip.
The series begins with the arrival of a strange planet in the solar system, on a collision course with Earth. Dr. Hans Zarkov, Flash Gordon, and Dale Arden, travel in Dr. Zarkov's rocket ship to the strange planet, called Mongo, ruled by Ming The Merciless, Emperor of Mongo and Supreme Ruler of the Universe. The trio have many adventures on Mongo, meeting, fighting, and making friends with the rulers and creatures of several kingdoms. At the end of the series, Flash, Dale and Dr. Zarkov return to Earth, crash land in Malaysia, meet Jungle Jim, gentleman adventurer, the star of another Alex Raymond comic strip. The series ended 26 October 1935 with Flash and Dale's wedding in the jungle. The Adventures of Jungle Jim series, also based on a comic strip by Alex Raymond, took over the time slot.
Where Buck Rodgers brought the idea of space exploration into popular media, following Jules Verne, H.G. Wells, and Edgar Rice Burroughs, Flash Gordon continues, for several reasons, to be the best remembered and appreciated radio series focused on space exploration. First, The Amazing Interplanetary Adventures of Flash Gordon inspired another radio series, The Further Interplanetary Adventures of Flash Gordon (see below), a 1936-1940 television series starring Clarence Linden "Buster" Crabbe, a 1970s television series, and a 1980 film. Many artifacts first introduced in The Amazing Interplanetary Adventures of Flash Gordon can be followed into later radio series. For example, the "spacephone," first introduced in the 1 July 1934 Flash Gordon comic strip, was incorporated by William "Mike" Moser into his 1952-1955 series, Space Patrol (see below). Rocket ships, ray guns, and other incredible technologies introduced in episodes of Flash Gordon appeared not only in subsequent radio series, but other media narratives as well.
Listen to Episode 01, "On the Planet Mongo," April 27, 1935
Listen to Episode 02, "An Alliance Forms," May 4, 1935
Listen to Episode 26, "Flash and Dale Married in the Jungle," October 26, 1935
At least three episodes of The Official Adventures of Flash Gordon circulate. These episodes are repackaged episodes of The Interplanetary Adventures of Flash Gordon as broadcast on WRR, Dallas, Texas.
"Fake Attack," date unknown
"Decoy of Ming The Merciless," date unknown
"The Mole Machine," date unknown
Credits
Producer: Himan Brown
Ray Collins: Announcer
Cast (continuing)
Gale Gordon as Flash Gordon
(Gordon is noted for roles as Dr. Petrie in Fu Manchu, Mayor LaTrivia in Fibber McGee and Molly, Rumson Bullard in The Great Gildersleeve, Mr. Atterbury in My Favorite Husband, and Principal Conklin in Our Miss Brookslater. He also had roles in television shows like Our Miss Brooks, Dennis the Menace, The Lucy Show and Here's Lucy, both with Lucille Ball.)
Unknown as Dale Arden
Maurice Franklin as Dr. Hans Zarkov
Bruno Wick as Emperor Ming, The Merciless
Teddy Bergman
Everett Sloane
Charlie Cantor
Resources
Amazing Interplanetary Adventures of Flash Gordon. Jerry Haendiges Vintage Radio Logs.
Episodes at Internet Archive website
Episodes at Old Time Radio Researchers Group Library
1935-1936
The Further Interplanetary Adventures of Flash Gordon
Mutual Broadcasting System
October 28, 1935-February 6, 1936
Continuing. Targeted to younger listeners.
30 minute episodes, Monday-Thursday, 5:30 PM
Sponsored by Groves Nose Spray
60 (Wikipedia) or 74 (Jerry Haendiges Vintage Radio Logs) episodes produced, 4 survive (see below).
On October 28, 1935, two days after the ending of The Amazing Interplanetary Adventures of Flash Gordon ending,The Further Interplanetary Adventures of Flash Gordon debuted as a four-day-a-week, fifteen-minute radio show. The Further Interplanetary Adventures of Flash Gordon frequently strayed from Raymond's comic strip. For example Flash, Dale, and Dr. Zarkov shared an adventure in Atlantis, the mythical sunken city. This series ended February 6, 1936, after seventy four episodes. Four episodes survive. See below. NOTE: Exact titles are unknown. Those provided here speak to main story lines.
Listen to Episode #??, "Fortress Bombarded," date uncertain 1935(?)
Flash defeats the armies of Morgat at the Battle of the Hilltop Fortress. Dale Arden and Dr. Zarkov are saved. Flash is again hailed as Emperor of Atlantis. But, the Sub-Strata forces, with their "destructo cannon" return, led by Raoul DuFarge, arch enemy of Flash and Dr. Zarkov. DuFarge convinces the Atlantean Sub-Strata forces, loyal to Flash, that The Hilltop Fortress is filled with enemies and orders them to attack with their Destructo cannon. Flash, Commander Grego, and Lieutenant Redna are called to action.
Listen to Episode #??, "The Titans," date uncertain 1935(?)
Seeking additional supplies of copper, Flash, Emperor of Atlantis, plans to visit Empress Luwana, ruler of the Titans, a savage race whose empire contains many copper mines. Although warned he may be killed by the Titans, Flash is determined to proceed and convinces Grego to accompany him. Flash hopes to secure a peace treaty with the Titans. Flash, Grego, and Dale proceed by chariot to the Titan border. They are arrested and placed in prison. Dale is taken to Prince Nearat, who demands she marry him in turn for giving his approval of the treaty Flash and Grego have brought to Empress Luwana. Dale kills Nearat with a "dissolvo pistol."
Listen to Episode #?? "Showdown with King Tauroc," date uncertain 1935(?)
Failing to escape the land of the Titans when it is invaded by King Tauroc of the Iron Kingdom, Flash, Emperor of Atlantis, and Commander Grego are sentenced to death in a pit of molten iron. The Empress Luwana escapes capture. As did Dale, who informes Dr. Zatkov who organizes a rescue mission. Atlantian rocket ships arrive just in time, attacking King Tauroc's troops with "destructo grenades." The rocket ships land, disgorging troops led by Dr. Zarkov, who release Flash and Grego. Flash learns that King Tauroc has taken refuge in the royal palace. He orders ten soldiers to bring a battering ram and force open the door. When the doors are battered down Flash challenges King Tauroc to a fight, man to man. Tauroc is captured and Flash issues orders for the rebuilding of the royal palace, destroyed by Tauroc's invading troops. With friendly trade relations in place between the land of the Titans and Atlantis, the gesture is a final show of good will. Flash also invites Empress Luwana to hold court in Atlantis, until the new palace is built. Landing in Atlantis, Flash and Grego are reminded of the upcoming Feast of Poseidon, which comes but once every one hundred years. Grego is very disturbed. The High Priest explains that Flash must prove his love of Poseidon by killing the one person he loves best. How can Flash decide such a choice?
Listen to Episode #??, "Sacrifice for Poseidon," date uncertain 1935(?)
Flash, Grego, and Empress Luwana are rescued by Dr. Zarkov from the army of King Tauroc. But, celebration quickly turns to sadness when the High Preist tells Flash the coming celebration of Poseidon requires him to sacrifice either Grego, Dr. Zarkov, or Dale Arden. To refuse will mean the death of all three. Grego and Dr. Zarkov draw cards. The first to draw an ace of spades will offer himself for sacrifice. Zarkov draws the fatal card. But the priests of Atlantis refuse to accept the sacrifice of Dr. Zharkov, demanding instead that Dale Arden die.
Episode #unknown, "Title Unknown," date unknown
Escaping from The Queen Nylanda, Queen of the Crocodiles, Flash kills a giant crocodile and meets with Dr. Zarkov in the submarine Neptune. They are taken prisoner by Raoul Dufarge.
Episode #unknown, "Title Unknown," date unknown
The soldiers of Queen Nylanda, Queen of the Crocodiles, attack the submarine Neptune and are held off by a machine gun. Flash and Dr. Zarkov explore the sunken wreck of the Belgrovia looking for plans for a secret ray that can stop airplanes in flight. A monster attacks!
Resources
The Further Interplanetary Adventures of Flash Gordon. Jerry Haendiges Vintage Radio Logs.
1941
Latitude Zero
National Broadcasting Company (NBC) Red Network
February 11 to June 3, 1941, NBC Pacific Coast network
June 7 to August 16, 1941, NBC Red network
Continuing. Targeted to younger listeners.
30 minute episodes
17 episodes produced, 1 survives ("Discovery of Omega")
See Inventory of Latitude Zero episodes
Background
Latitude Zero was created by writer Ted Elton Sherdeman (1909-1987), and his wife (married February 8, 1939) Anne Stone (1905-1980), a Canadian writer. Together they wrote seventeen episodes, serial in their narrative arcs, each leading to the next, and together, providing a complete story.
First Broadcast Run
Latitude Zero, as written by the Sherdeman's, was first broadcast over the NBC Pacific Coast network, Tuesdays, 6:00-6:30 PM, February 11 to June 3, 1941, as a weekly sustaining program.
Jay Hickerson supports the dates and substance of this first broadcast run when he reports the series "began on West Coast on 2/11/41. 2 shows available including 2/11/41" (285).
Broadcasting magazine, February 17, 1941, in a short article titled "Flying Adventures," says, "FANTASTIC adventure series Latitude Zero, has started on NBC Pacific Red Network. Quarter-hour weekly series is written and directed by Ted Sherdeman, and presents the exploits of five men who roam the seas in an epic flight for their ideals. Featured are Fred Shields, Jimmie Eagles, Vin Haworth, Lou Merrill and Edwin Max" (Flying Adventures).
*** Helm, writing for Variety magazine, 2 April 1941, noted this first broadcast run as coming from KFI, Los Angeles, CA, Tuesdays, 6:00 PM. Interestingly, he notes the broadcast as "coast," rather than Pacific network. He goes on to say, "From the fertile mind of Ted Sherdeman was hatched this meller of 'five men against the world.' Piece has a Buck Rogers flavor and reels off into fantastic tangents. NBC is hopeful of landing a summer sponsor for the program, having given it a good mounting and letting Sherdeman go the limit on talent and effects" (Helm 30).
"Tale puts to sea with five men in a fishing boat, who soon come upon a beached submarine. Once inside they find a heap of dead and Captain McKenzie, mysterious skipper of the craft. When asked where he's from he intones in his best Oxford, 'Latitude Zero.' That doesn't make sense to the five adventurers nor does little else he says. His slave bodyguard has a bullet hole in his chest but that heals in a couple of hours. That's the tip-off in the first installment of what's to be expected, or what's to be believed in the dialog of tongue-in-the-cheek Sherdeman. 'And that's only the beginning,' he grins."
"For those who are not too prissy about facts and conventions, airplay may carry an appealing note. Taken seriously it will bring only snickers. Cast is made up of sturdy stock players, including Jack Arnold, onetime of 'Myrt and Marge'."
Modest budget qualifes it for summer duty, even though it's a little heavy for the hot nights to come. With the air certain to be flled with music and quiz shows it may prove a diverting respite as escapist fare" (Helm p. ***).
Only Surviving Episode
According to the NBC Recording Index Card, only one program, the initial broadcast from 2/11/1941 was recorded, at least by NBC. This episode is titled "Discovery of Omega." The announcer says, "tonight begins the first episode of the most exciting and fabulous adventure story you've ever heard" (Recording Index).
To summarize "Discovery of Omega," in Alaska's Aleutian Islands, Brock Spencer, Captain of the fishing boat, "The Hope," and his crew, Tibbs Kennard and Burt Collins, find a submarine, The Omega, stranded on the beach of a remote island. Inside they discover Captain Craig McKenzie and his Sengalese bodyguard, Simba. McKenzie asks Spencer, Kennard, and Collins to help him return to Latitude Zero. The adventures begin.
Listen to "Discovery of Omega," Latitude Zero, June 7, 1941
NOTE: Jerry Haediges dates this episode November 2, 1941, and titles it "1st Show" ("Latitude Zero")
Vincent Terrace provides a good synopsis of this episode.
Second Broadcast Run
Within days of the conclusion of the first broadcast run, June 3, 1941, on the NBC Pacific Coast network, the second broadcast run of Latitude Zero was heard on the NBC Red network, eighteen stations stretching from New York to Denver, Saturdays, June 7 to August 16, 1941, as a weekly sustaining program (Terrace).
The NBC Program Index Card describes the Latitude Zero series as starting June 7, and ending September 27, 1941. Episodes are heard Saturdays, 8:00-8:30 PM on the "RED" network, originating in Los Angeles, CA. The description reads, "An adventure serial by Ted Sherdeman. The story begins with three men, friends, finding a submarine drifting in the Bering Sea, abandoned by all of its crew. The owner, prevails upon the three men to become his crew, and join him in his ambition - the preservation of beauty and culture at 'Latitude Zero', a tiny island in the South Pacific Ocean. He works constantly to borrow or steal great art objects, manuscripts and inventions, in order to preserve or further develop them. This situation leads the men to all corners of the earth into very imaginable situation [SIC]" (NBC Program Index Card).
Jon Swartz describes Latitude Zero as
LATITUDE ZERO
BLUE, 1941
A 30-minute Saturday night science fiction adventure program about a submarine and its captain. The series was written by Ann and Ted Sherkiman [sic]. Lou Merrill starred as Captain Craig McKenzie. At least one episode is available (411).
Frank Buxton and Bill Owen note, "These science-fiction adventures about a submarine and its captain had such characters as Simba, Brock Spencer, Bert Collins, Tibbs Canard, Babyface Nelson, and the villans Moloch and Lucretia" (196).
John Dunning calls Latitude Zero one of the "ocassional hybrids" of adult science, and notes it was heard on NBC (199).
A Time Magazine review, 23 June 1941, notes, "for the past fortnight, U.S. listeners coast-to-coast have been diverted by a killer-diller called Latitude Zero (8 p.m. E.D.S.T.), which makes its way out of NBC's Hollywood studios accompanied by the world's most bizarre barrage of sound effects. The script is written to match. The program dwells on the doings of one Captain Craig McKenzie. Anxious to save civilization from its doom, the Captain operates an insular Shangri-La in the South Pacific. The Captain populates his island with all kinds of high-toned people, whom he transports to his hideaway at 'Latitude Zero' (i.e., somewhere on the Equator) in a submarine. To rescue them he has brushes with huge man-eating crabs and trees, griffons and an evil fellow called Malic, who runs a rocket ship" ("Radio: Latitude Zero").
Then, the review connects the dots. Latitude Zero "was put on a coast-to-coast hookup after 17 weeks on a local circuit, and has a large and loyal following in the Pacific area" ("Radio: Latitude Zero").
So What?
Latitude Zero enjoyed two broadcast runs
February 11 to June 3, 1941, on the NBC Pacific Coast network
and
June 7 to August 16, 1941, on the NBC Red network, coast to coast.
Episodes for both broadcast runs were announced and published in newspapers and magazine program guides. See Inventory of Latitude Zero episodes. From this evidence it is fair to conclude that episodes of Latitude Zero were broadcast throughout both runs, as scheduled.
So, with episodes broadcast over thirty-four weeks in 1941, why is there only one surviving episode? If transcriptions were provided to participating network stations, surely some would be available today. The reasonable conclusion is that episodes of Latitude Zero were broadcast live.
Credits
Written by Anne and Ted Sherdeman
Vic Perrin as Announcer
Cast (continuing)
Lou Merril as Craig McKenzie
Elliott Lewis as Brock Spencer
James Eagles as Tibbs Kennard
Wally Maher as Burt Collins
Edwin Max as Simba
Elaine Barrie as Lucrezia
Edgar Barrier and Jay Novello as Malic
Jack Arnold, Elia Bracca, Howard Duf, Charles Lung, Bruce Payne, Anne Stone, Jack Zoller (OTRR)
(Uncertain) Ken Christy, Hal Gerard, Jerry Hausner, Dix Davis, Jay Novello, and Victor Rodman
Latitude Zero—the movie
Don Sharpe, head of Ambassador Productions, Hollywood, California, worked on Sherdeman’s NBC radio serial and recalled Sherdeman wanting for years to adapt it into a film (Latitude Zero (film) Wikipedia). That opportunity was realized when Sherdeman wrote, with Shinichi Sekizawa, the screenplay for Ishiro Honda's 1969 feature film adaptation of Latitude Zero. Sharpe was the producer. Stuart Galbraith IV says the film adaptation is "very loosely based on a popular American radio serial . . . it borrows from Jules Verne, fifties sci-fi films, pulp novels, James Bond and the 'Batman' television show, among others. . . . It's a silly, ridiculous film, and I like it a lot" (Japanese Science Fiction, Fantasy and Horror Films 186).
READ an extensive review here, and another here, at the Classic Sci-Fi movies webpage.
Resources
Galbraith IV, Stuart. The Japanese Filmography: A Complete Reference to 209 Filmmakers and the Over 1250 Films Released in The United States, 1900 through 1994. McFarland. 1996, pp. 186, 261.
Galbraith IV, Stuart. Japanese Science Fiction, Fantasy and Horror Films. McFarland. 1994. pp. 186-189.
Gross, Martin Arnold. The Nostalgia Quiz Book. Arlington House, 1969, p. 193.
"Radio Addresses. Match the radio show with its location. 9. Submarine. j. 'Latitude Zero'."
Latitude Zero. OTRRpedia. Old-Time Radio Researchers.
The Old Radio Times Archives of the Airwaves (7 Volumes)
Sperdvac Radiogram On the Air: The Encyclopedia of Old-Time Radio
The 5th Revised Ultimate History of Network Radio Programming and Guide to ALL Circulating Shows
New York Times Today's Radio Program (1927-01-01)
New York Times RADIO PROGRAMS SCHEDULED FOR THE CURRENT WEEK New York (1929-10-06)
Works Cited
Anonymous. Radio: Latitude Zero. Time Magazine, 23 June 1941. Available: https://content.time.com/time/subscriber/article/0,33009,851169,00.html
Buxton, Frank and Bill Owen. Radio's Golden Age: The Programs and Personalities. Easton Valley Press, 1966, pp. 195-196.
Dunning, John. On the Air: The Encyclopedia of Old Time Radio. Oxford University Press, 1998, p. 199.
"Flying Adventures." Broadcasting. February 17, 1941.
Helm, ***. "Latitude Zero." Variety, vol. 142, no. 4, 2 Apr. 1941, p. 30.
Hickerson, Jay. The 4th Revised Ultimate History of Network Radio Programming and Guide To All Circulating Shows. Hamden, CT: Presto Print II, 2010, p. 285.
Latitude Zero. Jerry Haendiges Vintage Radio Logs.
Program Index Card, NBC Radio Collection, Recorded Sound Research Center, Library of Congress.
Radio: Latitude Zero. Time Magazine. 23 June 1941.
Recording Index Card, NBC Radio Collection, Recorded Sound Research Center, Library of Congress.
Swartz, Jon David. Handbook of Old-Time Radio: A Comprehensive Guide to Golden a Age Radio Listening and Collecting. Scarecrow Press, 1993, p. 411.
Terrace, Vincent. Radio Programs, 1924-1984: A Catalog of More Than 1800 Shows. McFarland & Company, 1999.
Wikipedia. Latitude Zero (film).
1950
Beyond This World/Beyond Tomorrow
Columbia Broadcasting System (CBS)
February 23-April 18, 1950
Anthology. Targeted to adult listeners.
30 minute episodes
An audition and 3 episodes produced, all survive
Beyond Tomorrow was planned by CBS as the first science fiction anthology program for adults. It was to feature adaptations of published works. William N. Robson was producer and director. John W. Campbell Jr., editor of Astounding Science Fiction magazine was a consultant for the series, but he did not present the show.
An audition and three episodes were recorded. The audition was announced as for Beyond This World, with host "Askator." (Haendiges). The three episodes were announced as for Beyond Tomorrow. Transcription disks were prepared, but the series apparently never got underway. Perhaps CBS was waiting for Two Thousand Plus to begin in March. See below.
The first episode (for Beyond Tomorrow) was "The Outer Limit"
February 23, 1950, audition. Actual broadcast is uncertain.
Original story by Graham Doar
The pilot of an experimental rocket plane goes missing during a test flight with only ten minutes of fuel left. Given up for dead, he unexpectedly returns with a grave warning for humankind.
Cast: Frank Lovejoy, Charles McGraw, Jeff Corey
Here, the series is called Beyond This World, hosted by "Askator."
Listen to "The Outer Limit"
Listen to "Requiem"
April 5, 1950, actual broadcast is uncertain.
Original story by Robert Heinlein, published in Astounding, January 1940.
An ageing tycoon will stop at nothing to achieve his lifetime dream of setting foot on the Moon. Even though it is certain to kill him.
Cast: Everett Sloane (other cast members unknown)
Here, the series is called Beyond Tomorrow.
Listen to "Incident at Switchpath (And the Sky Was Full of Ships)"
April 11, 1950, actual broadcast is uncertain.
Original story by Theodore Sturgeon, published in Thrilling Wonders, June 1947. Radio adaptation by Draper Lewis.
A man accused of murder tells an unbelievable tale of strange machines buried in a remote cave.
Cast: Brett Morrison, Michael O'Day
Here, the series is called Beyond Tomorrow.
Listen to "The Outer Limit"
April 13 or 18, 1950, actual broadcast is uncertain. (Widner and Frierson say April 13, 1950, p. 23; Haendiges says April 18, 1950)
Original story by Graham Doar
Cast: Frank Lovejoy, Charles McGraw, Jeff Corey
The pilot of an experimental rocket plane goes missing during a test flight. Given up for dead, he unexpectedly returns with a grave warning for Mankind.
Repeat. Same as audition, but with different introduction
Here, the series is called Beyond Tomorrow.
Resources
Beyond This World/Beyond Tomorrow. Jerry Haendiges Vintage Radio Logs.
Beyond Tomorrow. OTR Catalog.
Beyond This World/Beyond Tomorrow episodes at Internet Archive website.
1950-1955
Space Patrol
January 8, 1950 - August 1, 1950, 15-minute daily television episodes (see below)
August 1, 1950 - January 8, 1951, 30-minute radio episodes, two shows per week, American Broadcasting Network (ABC)
August 18, 1951- March 19, 1955, 30-minute episodes, Saturdays (ABC)
Sponsored by Ralston 1951-1954, and Nestlés Chocolate 1954-1955
Continuing. Targeted to younger listeners.
149 episodes produced, 96 survive
Prior to October 1952, no transcriptions (recordings) are identified, so earlier episodes were probably delivered live (Bassior).
Space Patrol was created by William "Mike" Moser (1915-1953), a World War II Naval aviator, who wanted a television program as exciting for children as Buck Rogers and Flash Gordon where for him.
KECA-TV, Los Angeles, California, bought Moser's idea, and began broadcasting daily fifteen-minute television episodes on 8 March 1950 in the Los Angeles area. Using the actors from the television series, the American Broadcasting Company (ABC) radio network began broadcasting weekly episodes, beginning 1 August 1950, with two shows per week until 8 January 1951. After a break, the series resumed on 18 August 1951, sponsored by Ralston, and aired once a week, on Saturdays. Nestlés Chocolate sponsored Space Patrol from 1954 until its last episode on 19 March 1955. Prior to October 1952, no transcriptions (recordings) are identified, so earlier episodes were probably delivered live.
As a radio science fiction adventure / space opera series, Space Patrol was set in the 30th-century. Episodes followed Commander-in-Chief Edward "Buzz" Corry of the United Planets Space Patrol and his sidekick, Cadet Happy, and other crew aboard the spaceship, Terra V traveled about the universe and dealt with interplanetary villains and their diabolical schemes using ray guns, Space-O-Phones, and atomolights in their efforts to keep the peace in space.
Space Patrol is significant because it began as a television program for children and was quickly adapted for radio. Its cross marketed promotional items connected the series narrative into the daily lives of many listeners. It remains an enjoyable radio series for radio fans and collectors.
Each episode began with the announcer intoning,
"High adventure in the wild, vast reaches of space!
Missions of daring in the name of interplanetary justice!
Travel into the future with Buzz Corey, commander-in-chief of the Space Patrol!"
Listen to "Buzz Corry Becomes Commander in Chief," Space Patrol, pilot episode
Cast (continuing)
Ed Kemmer as Commander-in-Chief Edward "Buzz" Corry
Lyn Osborne as Cadet Happy (most memorable line: "Smokin' rockets!")
Virginia Hewitt as Carol Carlisle, daughter of Secretary General of the United Planets
Ken Mayer Major Robbie Robertson
Nina Bara as Tonga, Assistant Security Chief
Bela Kovacs as Prince Baccarratti
Norman Jolley as Dr. Malingro
Marvin Miller as Mr. Proteus
Rudolph Anders as Dr. Van Meter
Paul Cavanagh as The Secretary General of the United Planets
Glenn Denning as Commander Kit Corry
Carleton Young as General Narda in two 1954 episodes. Young went on to star in The Whisperer radio crime series.
John Larch (1914-2005) as semi-regular Captain Smith also voiced the lead role of Captain Rocky Starr in the Captain Starr of Space radio series.
Credits
Lou Huston: Writer
Larry Robertson: Producer/director
Dick Tufeld: Announcer, and later, the voice of the robot on Lost in Space
Spin Offs
Space Patrol was an overnight success, and almost as quickly became a multimedia franchise. In addition to the television and radio versions, a two-issue comic book, Space Patrol, was published by Ziff-Davis in summer and November 1952.
Two record albums, part of the Space Patrol Adventures series, provided two prequels, each produced and directed by Helen Moser and Lou Spence following Moser's death in 1953. The first was "Buzz Corry Becomes Commander-in-Chief" (Decca (K-135-1) 10", 78rpm, November 1954). The second was "Cadet Happy Joins Commander Corry" (Decca (K-135-2) 10", 78rpm, November 1954). This was reissued by Festival Records (Australia, DCI 012) as part of the children's series.
***??Date??*** (Columbia Gramaphone (Australia) Pty. Ltd, No. 1 of a series, KO1015, 78 rpm)
Toys and merchandise offered by sponsors were tied into the series during commercial breaks, and even worked into the live action adventures. For example, sponsor Ralston Cereals offered Space-A-Phones, Space Binoculars, and Magic Space Pictures, a Project-O-Scope, a Space Patrol microscope kit, "swell space coins," a mono-view outer space helmet, a cosmic rocket launcher, a "super scary, super spooky man from Mars totem head," a Space Patrol periscope, and a rocket ship cockpit model. A contest was offered to win Commander Corry's space ship by naming "Planet X." A Space Patrol club was started. Listeners felt directly connected, even as direct participants in the episodes through these tie-ins.
Technology like universal translators, matter duplicators, space telescopes, and star drive spaceships . . . concepts like hyperspace, black holes, and cloaking devices . . . and plot points like being trapped in a trash chute aboard a space ship and risking ejection into space first appeared on Space Patrol and provide interesting connections between this radio series and other depictions of space adventure in other media.
Resources
Space Patrol at Radio Nouspace website
Episodes at Old Time Radio Researchers Library website
Episodes at Internet Archive
Episodes at OTR.Network website
Episodes at the Old Time Radio Downloads website
Space Patrol radio logs at Jerry Haendiges Vintage Radio Logs website
Plot summaries and credits at Radio Gold Index website
Space Patrol website maintained by The Crimson Collector
Space Patrol on the Radio, part of the Space Heroes on the Radio website
Works Cited
Bassior, Jean-Noel, "On the Beam: Lou Huston and the Radio Shows." Space Patrol: Missions of Daring in the Name of Early Television. Jefferson, NC: McFarland, 2005, p. 218.
1950-1952
2000 Plus (aka Two Thousand Plus and 2000+)
Mutual Radio Network
March 15, 1950 to January 2, 1952
Broadcast on various days
Anthology. The first radio science fiction series targeted to adult listeners.
30 minute episodes
89 episodes produced, 16 survive
Written and produced by Sherman H. Dryer (1913–1989) and Robert Weenolsen (1900–1979) for the Mutual Radio Network, 2000 Plus explored "adventures in the world of tomorrow, dramatic stories of science fiction from the years beyond 2000 A.D." (Widner and Frierson 23). Dryer had produced Exploring the Unknown, a "science at work" themed program for Mutual, December 2, 1945 to 1947. He and Weenolsen convinced Mutual to offer a weeknight science fiction series. Dryer wrote and produced the original, melodramatic, episodes. In the 1960s he wrote for the ABC series, Theatre 5 (Widner and Frierson 23).
Listen to "The Other Man," 2000 Plus, Episode 13, June 7, 1950
Listen to "Flying Saucers," 2000 Plus, Episode 24, August 23, 1950
Credits
Elliott Jacoby: Music composer
Emerson Buckley: Music director
Adrian Penner: Sound effects
Ken Marvin: Announcer
Cast
Joseph Julian, Bill Keen, Lon Clark, Amzie Strickland, and Bryna Raeburn.
Works Cited
Widner, James F. and Meade Frierson, III. Science Fiction on Radio: A Revised Look at 1950–1975. AFAB, 1996.
Resources
Two Thousand Plus. Jerry Haendiges Vintage Radio Logs.
2000 Plus. Digital Deli Too.
2000 Plus. OTR Plot Spot.
2000 Plus at the Internet Archive website.
1952
Tom Corbett, Space Cadet
American Broadcasting Corporation (ABC)
January 1 - June 26, 1952
Continuting. Targeted to younger listeners.
Sponsored by Kellogs PEP and Raisin Bran cerals
30 minute episodes, Tuesdays and Thursdays
46 episodes produced, 41 survive
Tom Corbett, Space Cadet was adapted from a 1950-1955 television series by the same name. The idea began with Joseph Green, then working for Grosset & Dunlap publishing. Green developed Tom Corbett, Space Cadet inspired by Robert A. Heinlein's novel Space Cadet, published in 1948. The television series began in 1950. A comic strip followed in 1951. Books were published by Grosset & Dunlap in 1952. Comic books and the radio series also appeared in 1952.
The radio series, Tom Corbett, Space Cadet, was heard on ABC, in 1952. Many radio episodes were based on television episodes. The same cast was used for both television and radio episodes. Episodes broadcast on Tuesdays and Thursdays. Each show was complete in itself but the story line would cover both shows for the week with Part 1 broadcast on Tuesday and Part 2 on Thursday (Pippin). Stories followed Corbett and friends Roger Manning and Astro, a Venutian, as they trained at the Space Academy to become members of the Solar Guard, an interplanetary police force in 2350 CE that helps maintain the Solar Alliance of Earth, Mars, and Venus. Much of their training is aboard their spaceship, Polaris.
Episodes began with Jackson Beck, the announcer saying,
Now, as roaring rockets blast off to distant planets and far-flung stars, we take you to the age of the conquest of space, with Tom Corbett, Space Cadet!
Listen to "Living Crystals of Titan Part 2," Tom Corbett, Space Cadet, Episode 01, Thursday, January 3, 1952
This is Part 2 of "Living Crystals of Titan," the earliest known surviving episode of Tom Corbett, Space Cadet. Tom Corbett, Roger Manning, Astro, and Captain Strong break up a smuggling ring moving crystals that interact with metal from Saturn's moon Titan to Earth. "The Missing Rocket Scout" is announced as the next episode.
Listen to "Revolt on Prison Rock Part 2," Tom Corbett, Space Cadet, Episode 43, May 29, 1952
In this episode, the last known of the series, Tom Corbett and Roger Manning, locate dangerous prisoners who escaped from Prison Rock and stole their spaceship, The Polaris, on an asteroid. Corbett and Manning board The Polaris and capture the convicts. First broadcast 29 May 1952. The episode number is uncertain but Haendiges calls it #43. "The Vultures of Space" is announced as the upcoming episode.
Credits
Director: Drex Hines
Writer: Willie Gilbert
Writer: Jack Weinstock
Jon Gart: Organ
Announcer: Jackson Beck
Cast (continuing)
Frankie Thomas as Tom Corbett
Jan Merlin as Roger Manning
Al Markim as Astro
Edward Bryce as Captain Strong
Margaret Garland as Dr. Joan Dale
Carter Blake as Commander Arkwright
Jack Grimes as ???
Resources
Tom Corbett. Jerry Haendiges Vintage Radio Logs.
Tom Corbett. Download episodes at Internet Archive.
Cadet Ed Pippin. Tom Corbett Space Cadet Radio Show.
Tom Corbett: Space Cadet. Encyclopedia of Science Fiction.
GSMC Classics: Tom Corbett, Space Cadet. Spreaker, iHeart Radio.
circa 1952-1953
The Planet Man
The Palladium Radio Productions syndication, New York City
circa 1952-1953, more specific dates are unknown
Continuing. Targeted to younger listeners.
15 minute episodes
78 episodes produced, 76 survive (Episodes 01 and 04 are missing)
Episodes invited listeners to "Rocket millions of years into the future with Danto, The Planet Man." From Planeria Rex, the capital of all planets, Dantro patrols the galaxy for The League of Planets, keeping the peace. Forbidden to use violence, except in self defense, The Planet Man stands for fair play and peace, and fights aggressive evil warlords like Marston, the ruler of Mars. Dantro is helped by Dr. John Darrow, a scientist, Darrow's daughter Pat, nephew and niece Billy and Jane, and engineer Slats. Dantro rescued them all when their rocket was about to crash into the Moon.
Listen to "Orbit the Moon"The Planet Man, Episode 02, *** 1950
Listen to "The Battle Is Over" / "End of the Adventure," The Planet Man, Episode 78, *** 1950
Credits
Phil Tonken: Narrator
Joseph Boland: Robot characters
Jon Gart: Organist
Resources
The Planet Man. Internet Archive website.
The Planet Man. Jerry Haendiges Vintage Radio Logs.
1953
Tales of Tomorrow
American Broadcast Corporation (ABC)
January 1, 1953 - April 9, 1953
Anthology. Targeted to adult listeners.
30 minute episodes
15 episodes, 7 survive
Tales of Tomorrow, was first a live a science fiction thriller television series seen on ABC August 3, 1951 to June 12, 1953. Developed by writer Theodore Sturgeon and television producer Mort Abrahams, the television series (originally titled Tomorrow Is Yours), drew its content from short stories and novels written by members of the Science Fiction League of America. The television series broadcast 85 episodes, each 30 minutes in length.
Adapted as a radio program for ABC, Tales of Tomorrow was scheduled for fifteen episodes. Each began with a tinkling piano/abstract music composition by Bobby Christian, followed by host "Omentor" (Raymond Edward Johnson) saying, "Tales of Tomorrow, tales beyond human imagination, until they happen!" The first episode was heard January 1, 1953. The radio series drew content from Galaxy Science Fiction magazine. Despite offering writing by accomplished science fiction writers, the radio series was not successful. The final episode of Tales of Tomorrow on ABC was February 26, 1953. It moved to CBS, first episode March 5, 1953, for the remainder of its episodes, the last of which was broadcast April 9, 1953. Tales of Tomorrow, the radio series, heard for only three and a half months, is a poster child example of the struggle of commercial radio against the siphoning away of listeners by the appeal of newly-established network television programming.
Credits
Clark Andrews and Warren Sommerville: Directors
Michael Sklar and Don Witty: Writers/adaptors
Raymond Edward Johnson: Host (known as "Omentor")
Bobby Christian: Music composer
Cast
Varied by episode
Resources
Tales of Tomorrow. Jerry Haendiges Vintage Radio Logs.
Tales of Tomorrow at SciFi Mike website.
Widner, James F. and Meade Frierson III. "Tales of Tomorrow." Science Fiction on Radio: A Revised Look at 1950-1975. AFAB, 1996, pp. 49-52.
1953-1954
Captain Starr of Space
aka Starr of Space
American Broadcast Corporation (ABC)
June 2, 1953 - May 27, 1954
Tuesdays and Thursdays, 7:30 PM
Continuing. Targeted to younger listeners.
30 minute episodes
75 potential episodes, perhaps 8 survive, 4 circulate
Inventory of Captain Starr of Space episodes
Based on characters created by Tom Hubbard, who wrote the episodes and played Cadet Sergeant Stripes, Captain Starr of Space, AKA Starr of Space (1953-1954), was a twice-weekly OTR juvenile science fiction adventure series. Captain Starr and his Space Rangers traveled throughout the galaxy aboard their spaceship, Shooting Star, dealing with interplanetary criminals and exciting galactic adventures. Captain Starr of Space is significant because although 8 episodes possibly survive, only four episodes circulate. Listen below.
Listen to "The Mystery of Mars" (aka "Citizens of Mars")
Episode 02, 4 June 1953
The Queen Nilo Incident
Episode 13, 14 July 1953
(aka "The Ray Machine")
The Carnumian Return
1953
A visit from a Neptunian scientist dead for fifty years! An Armed Forces Radio and Television Services rebroadcast.
The Mericus Plague
1953
A Venusian native chief has the secret to save the Earth colonists from disease. An Armed Forces Radio and Television Services rebroadcast.
Credits
Tom Hubbard and John Egger: Writers
Lou Cook: Announcer
Cast (continuing)
John Larch as Captain Rocky Starr (Larch, 1914-2005, also had a semi-regular role on Space Patrol as Captain Smith)
Jane Harlan as Gale Archer, Captain Starr's assistant
Tom Hubbard as Cadet Sergeant Stripes
Resources
Episodes at Internet Archive
Episodes at Old Time Radio Researchers Group Library website
Captain Starr of Space radio logs at Jerry Haendiges Vintage Radio Logs website
Captain Starr of Space at Old Time Radio Researchers Database
1955-1958
X Minus One
Acknowledged as the best science fiction anthology radio show
National Broadcasting Corporation (NBC)
April 22, 1955-January 9, 1958
Anthology. Targeted for adult listeners.
30 minute episodes
127 episodes produced, 127 survive
A half-hour radio science fiction anthology series with episodes featuring adaptations of stories by leading science fiction writers. Cast varied by episode. It’s core radio storytelling DNA came from Dimension X, with the first fifteen episodes of X Minus One being recast and reused from Dimension X. The first science fiction radio series with broad adult appeal, featuring works by young science fiction writers like Ray Bradbury ("Mars Is Heaven" and "Martian Chronicles"), Robert Bloch (Psycho), Robert Heinlein, Isaac Asimov, and Kurt Vonnegut.
Continuing with the "X factor"—stories told in future "time and space"—the remaining episodes of X Minus One were new adaptations of fiction written by leading science fiction writers whose stories appeared in Galaxy Magazine. Examples include Isaac Asimov ("Nightfall," "C-Chute," and "Hostess"), Ray Bradbury ("And The Moon Be Still As Bright," "Mars is Heaven," "The Veldt," "Dwellers in Silence," "Zero Hour," "To the Future," "Marionettes, Inc.," and "There Will Come Soft Rains"), Philip K. Dick ("The Defenders" and "Colony"), Robert A. Heinlein ("Universe," "Requim," "The Roads Must Roll," and "The Green Hills of Earth"), George Lefferts ("The Parade"), Fritz Leiber ("A Pail of Air"), J. T. McIntosh ("Hallucination Orbit"), Frederik Pohl ("The Tunnel under the World"), Robert Sheckley ("Skulking Permit"), and L. Sprague de Camp ("A Gun for Dinosaur").
The opening for each episode was distinctive, with the announcer saying,
Countdown for blastoff . . . X minus five, four, three, two, X minus one . . . Fire!
[Rocket launch SFX]
From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future; adventures in which you'll live in a million could-be years on a thousand may-be worlds. The National Broadcasting Company, in cooperation with Galaxy Science Fiction Magazine, presents—X-X-X-X—MINUS-MINUS-MINUS-MINUS—ONE-ONE-ONE-one . . .
After the final countdown for blast off at X Minus One, science fiction storytelling moved to television, with shows like The Twilight Zone, and The Outer Limits. NBC aired transcriptions (recordings) of X Minus One episodes from 24 June 1973-1975, as an experiment to see whether nostalgia would support radio drama. The once-a-month scheduling was confusing and problematic, and X Minus One died again in 1975.
Credits
Daniel Sutter: Director
Fred Collins: Announcer
Ernest Kinoy and George Lefferts: Writers
Resources
Episodes of X Minus One at Internet Archive website
Scripts at Generic Radio workshop website
X Minus One radio logs at Jerry Haendiges Vintage Radio Logs website
X Minus One plot summaries and credits at Radio Gold Index website
The Definitive X Minus One at Digital Deli Too website
Widner, James F. and Meade Frierson III. "X Minus One Log." Science Fiction on Radio: A Revised Look at 1950-1975. AFAB, 1996, pp. 57-97.
1957-1958
Exploring Tomorrow
Mutual Broadcast Network
December 4, 1957-June 13, 1958
Anthology. Targeted for adult listeners.
20 minute episodes
30 episodes produced, 15 survive
Billed as the "first science fiction old time radio show of science-fictioneers, by science-fictioneers, and for science-fictioneers," episodes were narrated by John W. Campbell, Jr., editor of Astounding Magazine, and then later, Analog Magazine, who invited listeners to "step into the incredible, amazing future." Episodes imagined the future of mankind, space travel, and world's beyond our own.
Listen to "The Convict"
Episode 01, 4 June 1953, Dec. 11, 1957
Credits
Producer and director: Sanford Marshall
Resources
Exploring Tomorrow. Jerry Haendiges Vintage Radio Logs.
Exploring Tomorrow at Internet Archive website.
Press Relations
Special thanks to Maureen Keller, Syliva Lindman, and Brenda Alling for promoting this episode of Re-Imagined Radio.
READ their Press Release
Graphics
Double Dimension X web poster by Holly Slocum (240 x 356)
Double Dimension X cover graphic by Holly Slocum (820 x 360)
Double Dimension X vertical social medi poster by Holly Slocum (1080 x 1920)
Double Dimension X landscape poster by Holly Slocum (1910 x 1080)
Double Dimension X square poster by Holly Slocum (2000 x 2000)
Double Dimension X full poster by Holly Slocum (2000 x 3000)
Name: Dimension X
Tagline: Stories in time and space
Season: 11
Episode: 11
Description: Re-Imagined Radio celebrates 'Dimension X,' by providing context for and an example from this groundbreaking science fiction anthology series.
Program type: Episodic
Length: 58:00
Media type: Radio broadcast, live stream, podcast
Premier broadcast and live stream: 20 Nov. 2023, KXRW-FM (Vancouver, WA), KXRY-FM (Portland, OR)
Recording availability: Podcast
Recording specs: Audio, MP3, stereo, 44.1Hz, 320kbps
Recording name: rir-dimension-x.mp3
Categories: radio, drama, documentary, performance, story, fictional, science fiction
Keywords: radio drama, storytelling, documentary, science fiction
Script: John F. Barber
Producer/Host: John F. Barber
Sound Design/Music Composition: Marc Rose